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Vernacular Industrialism in China: local innovation and translated technologies in the making of a cosmetics empire, 1900-1940

개인저자
Eugenia Lean
발행사항
New York :,Columbia University Press,2020
형태사항
xi, 396 p. : 24cm
ISBN
9780231193481
청구기호
338.7668 L433v
서지주기
Includes bibliographical references (pages 347-367) and index
소장정보
위치등록번호청구기호 / 출력상태반납예정일
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책 소개
In early twentieth-century China, Chen Diexian (1879?1940) was a maverick entrepreneur?at once a prolific man of letters and captain of industry, a magazine editor and cosmetics magnate. He tinkered with chemistry in his private studio, used local cuttlefish to source magnesium carbonate, and published manufacturing tips in how-to columns. In a rapidly changing society, Chen copied foreign technologies and translated manufacturing processes from abroad to produce adaptations of global commodities that outcompeted foreign brands. Engaging in the worlds of journalism, industry, and commerce, he drew on literati practices associated with late-imperial elites, but deployed them in novel ways within a culture of educated tinkering that generated industrial innovation.

Through the lens of Chen’s career, Eugenia Lean explores how unlikely individuals devised unconventional, homegrown approaches to industry and science in early twentieth-century China. She contends that Chen’s activities exemplify “vernacular industrialism,” the pursuit of industry and science outside of conventional venues, often involving ad hoc forms of knowledge and material work. Lean shows how vernacular industrialists accessed worldwide circuits of law and science and experimented with local and global processes of manufacturing to navigate, innovate, and compete in global capitalism. In doing so, they presaged the approach that has helped fuel China’s economic ascent in the twenty-first century. Moving away from conventional narratives that depict China as belatedly borrowing from Western technology, Vernacular Industrialism in China offers a new understanding of industrialization, going beyond material factors to show the central role of culture and knowledge production in technological and industrial change.

By examining the manufacturing, commercial, and cultural activities of the maverick industrialist Chen Diexian (1879?1940), Eugenia Lean illustrates how lettered men of early-twentieth-century China engaged in “vernacular industrialism,” the pursuit of industry and science outside of conventional venues.

목차

Acknowledgments
Introduction
Part I: Gentlemanly Experimentation in Turn-of-the-Century Hangzhou
1. Utility of the Useless
Part II: Manufacturing Knowledge, 1914?1927
2. One Part Cow Fat, Two Parts Soda: Recipes for the Inner Chambers, 1914?1915
3. An Enterprise of Common Knowledge: Fire Extinguishers, 1916?1935
Part III: Manufacturing Objects, 1913?1942
4. Chinese Cuttlefish and Global Circuits: The Association of Household Industries
5. What’s in a Name? From Studio Appellation to Commercial Trademark
6. Compiling the Industrial Modern, 1930?1941
Conclusion
Glossary
Notes
References
Index