제1장 머리말 ·························································································· 1
제1절 연구 배경 및 목적 ········································································· 3
1. 연구 배경 ···················································································· 3
2. 연구 목적 ··················································································· 6
제2절 연구 내용 및 방법 ········································································· 7
1. 연구 내용 ···················································································· 7
2. 연구 방법 ··················································································· 8
3. 연구 대상자(피면담자)의 인구사회학적 속성 ························ 11
4. 용어 정리 ·················································································· 15
제3절 연구 추진방향 ·············································································· 18
1. 선행연구 검토 ··········································································· 18
2. 연구의 전제 ············································································· 20

제2장 북한생활과 문화예술 관람 ····················································· 23
제1절 북한 문예물 관람 ········································································· 25
1. 영상물(TV, 영화) 관람 ···························································· 25
가. TV 시청: 이웃에서 가족으로 ··········································· 25
나. 영화 관람: 단체(의무) 관람과 자발적 관람의 혼재 ······ 28
다. 기억에 남는 영화(드라마) ················································· 31
2. 공연장 및 전시관 방문 ··························································· 37
가. 공연 관람 ··········································································· 37
나. 전시관 방문 ······································································· 39
3. 소설 읽기 ················································································· 42
가. ?불멸의 력사?: 수령을 위한 소설 ··································· 42
나. ‘숨은 영웅’ 소설 ······························································· 43
다. 서구 소설 ··········································································· 44
4. 문화생활의 한 가지: 나들이 또는 여행 ································ 47
제2절 남한 영상물 관람 ········································································ 50
1. 남한 드라마와 영화 시청 ························································ 50
가. 시청 매체의 진화 ······························································ 51
나. 숨어서 가족, 친구와 보기 ················································ 55
다. 기억에 남는 영화(드라마) ················································ 58
2. 소설과 라디오 ·········································································· 65
가. 전자파일로 읽는 남한과 미국의 소설 ····························· 65
나. 라디오로 듣는 대북방송 ··················································· 67
제3절 문화예술 수용태도 ······································································· 70
1. 북한 문예물 관람의 이해와 정서 ··········································· 70
가. 역사와 예술의 혼돈 ·························································· 70
나. 수령과 ‘숨은 영웅’의 감동 ··············································· 77
다. 북한 지배가치의 내면화:
수령에 대한 충성심, ‘바치자’의 삶 ································· 81
라. 재미와 즐거움 ··································································· 83
2. 남한 문예물 관람의 이해와 정서 ·········································· 85
가. 경제 발전: 의심과 확신 사이 ·········································· 85
나. 자유로운 삶, 그리고 자연스런 감정 ······························· 90
다. 호기심과 재미:
몰래 보는 재미, 그리고 사상성 없는 재미 ···················· 95
라. 새로운 세상(남한)에 대한 동경:
탈북 결심의 한 가지 이유 ··············································· 96
마. 북한 문예물 관람 거부 ···················································· 99

제3장 남한생활과 문화예술 관람 ··················································· 103
제1절 TV 시청 ······················································································· 105
1. 시청 시간 감소 ······································································· 105
가. 입국 초기 대비 감소 ······················································· 105
나. 북한(중국) 거주시기 대비 감소 ····································· 107
다. 시청 시간의 유지 및 증가:
노인과 생활이 안정된 탈북자 ········································ 110
2. 즐겨보는 TV 프로그램 장르 ·················································· 112
가. 드라마에 대한 시각의 분화 ············································ 112
나. 뉴스와 시사 프로그램 ····················································· 122
다. 일상, 진짜 생활을 보여주는 다큐멘터리 ······················ 124
라. 재미와 사실성의 리얼리티 예능 ···································· 129
마. 향수와 일상의 가요 프로그램 ········································ 133
바. 쿨한 미국 드라마:
“울고불고 하는” 남북한 드라마와 차별성 ····················· 135
3. <이제 만나러 갑니다>에 대한 두 가지 시각 ······················ 139
가. 비판적 시각: 현실성 없는 이야기로 북한 희화화 ······· 139
나. 긍정적 시각: 내 이야기, 남한주민에게 북한 알리기 ··· 144
제2절 TV 시청 이외의 문화예술 관람 ················································ 147
1. 남한 문화의 첫 만남: 하나원 ················································ 147
2. 거주지 정착 이후 일상과 문화생활 ····································· 154
가. 하나센터: 잘 가지 않게 되는 지역 적응센터 ··············· 154
나. 종교 단체의 탈북자 문화 프로그램 ······························· 158
다. 지자체의 한 가지 사례:
탈북자 문화예술 프로그램 제도화 ································· 162
라. 가족과 함께하는, 자녀를 위한 문화생활 ······················ 163
마. 탈북자 동창회(향우회), 몇몇 친구와 가는 여행 ··········· 174
바. 직장 동료와 노래방, 이성 친구와 영화관 ····················· 177
사. 나 혼자 즐기는 문화예술 ··············································· 178
제3절 남한 문화예술 관람의 특성 ······················································ 187
1. TV 시청 중심의 몇 가지 원인 ·············································· 187
가. 누구도 일러주지 않는 문화예술의 의미 ························ 187
나. 바쁘고 힘든 남한의 일상 ··············································· 188
다. 가족을 제외한 문화예술 관람 동반자의 부재 ··············· 191
2. TV 시청의 키워드: 리얼리티 ················································ 193
3. 북한 문화예술의 흔적 ··························································· 195
가. 북한 문화예술 멀리하기:
북한 멀리하기, 남한 사람 되기 ····································· 195
나. 사상성 없는 북한 영화 보기, 북한 노래 부르기:
그리움과 무료함 ······························································ 197
다. 현재의 북한예술 현황 파악: 예술인의 운명 ················· 201
4. 하나의 탈북민, 다양한 탈북자 ············································ 203
가. 청년과 노인의 상대적으로 활발한 문화생활 ··············· 203
나. 경제력이 있어야 가능한 문화생활 ······························ 208
다. 서구 소설 독서 경험자의 문화생활 ······························ 209
라. 예술 전공자의 문화생활 ·················································· 211
마. 가족이 있어야 즐기는 문화생활 ···································· 213
바. 남한 거주 기간과 문화생활 ············································ 214

제4장 남한 문화예술 수용 과정과 의미 ········································ 215
제1절 남한 문화예술 수용의 맥락 ······················································· 217
1. 남한 사회의 진실 찾기 과정 ················································· 217
가. 풍요로움: 깨어진 환상 ···················································· 217
나. 자유로움: 내가 꿈꾸던 삶 ·············································· 222
다. 다정함 없는 사생활 ························································ 223
2. 비교와 관찰 ··········································································· 225
가. 남북한 문화예술 비교:
정해진 것만 하나의 틀로 vs. 원하는 것을 자기 식대로·· 225
나. 남한사회 이해의 창: 문화예술 ······································ 229
3. 비판과 수용 ··········································································· 234
가. 현실과 거리감 인식 ························································ 234
나. 남한 문화 비판과 통합의 시각 ······································ 237
다. 북한 문화예술에 대한 새로운 이해 ······························ 242
제2절 남한 문화예술 경험의 의미 ······················································ 246
1. 향유와 위로 ············································································ 246
2. 삶의 행복, 살아가는 힘 ························································ 248
3. 남한 사회에 보답, 그리고 통일에 기여 ······························ 251
4. 배움, 그리고 문화예술의 의미 찾기 ··································· 256
5. 어울림과 관계 맺기 ······························································ 260

제5장 문화예술 수용태도의 정책적 시사점 ·································· 263
제1절 탈북자 문화정책의 방향 설정 ··················································· 265
1. 현실적 접근: 문화(부) 정책과 통일(부) 정책의 연계 ········· 265
2. 탈북자 맞춤형 문화정책:
탈북자 내부 통합의 한 가지 방법 ······································· 267
3. 탈북자 문화생활 활성화를 위한 종합계획 수립 ················ 269
제2절 탈북자 문화생활 활성화를 위한 정책사업 ······························ 272
1. 진행 중인 문화정책 프로그램 확대 및 개선 ······················· 272
가. 탈북자용 문화누리카드 또는 여행카드제 ····················· 272
나. 하나원 문화예술교육 프로그램 확대 ····························· 274
2. 문화정책 사업 내 탈북자 포용 ············································ 275
가. 문화예술교육 지원사업과 하나센터 운영 복지관 연계 ··· 275
나. ‘토요문화학교’와 하나센터 연계 ···································· 277
다. ‘신나는 예술여행’과 하나센터 연계 ······························· 277
라. 예술치유 프로그램 진행 ················································· 278
3. 탈북자 문화생활 실태 및 여건 파악 ·································· 280
가. 탈북자 문화향유 실태조사 수행 ···································· 280
나. 탈북자 관련 기관의 문화예술 프로그램 조사 ·············· 282
4. 탈북 예술인(단체) 활동 지원 ··············································· 283
가. 탈북 예술인(단체) 지원 체계 마련 ······························· 284
나. 예술인 창작 지원 체계 내 탈북 예술인 포함 ·············· 288
다. 탈북 예술인 네트워크 구성 ··········································· 290
5. 신규 프로그램 개발 ······························································· 291
가. 미디어 리터러시 프로그램 개발 ···································· 291
나. 역사 드라마와 역사유적지 방문 연계 ··························· 293

제6장 맺음말 ···················································································· 295
제1절 연구 결과 ···················································································· 297
제2절 연구의 의미와 향후 과제 ························································· 302
참고문헌 ···························································································· 304
ABSTRACT ······················································································· 307